Book2 is all done, aside from Author Amendments when they get here, I'm considering
Uncovering Her Secrets on the shelf. I have a new project, and I'm so excited I'm kind of annoying myself!
That happens, I get new story glee at the beginning when I'm still plotting and itching to write. But I really REALLY have it now because I got the green light to dive into a story I wasn't at all sure would fly! I'll give you a hint: IT'S A CIRCUS. Oh wait, that wasn't a hint. BUT
IT'S STILL A CIRCUS. A Circus Medical Romance *beams*.
Circus Medicus is
what I'm calling it, because I know that it will get a new title anyway.
So I'm in full-on Excitement Supernova! That glorious place at the beginning where I'm certain I'm a GENIUS, everyone will love my kooky story, and I should have it finished by Tuesday because it's going to be so easy to write. Excitement Supernova, Delusional Supernova... whatever! Call it what you like, I'm going to try and stuff some in a Tupperware and stick it in the freezer to whip out when things get hard again.
Supernovae aside, I decided to post this morning because last night I had an epiphany. Or maybe I finally just understood something my last editor was actually doing with questions she'd ask in revisions--those questions that made me dig deeper into the internal conflict.
Internal conflict is basically a coping mechanism, a belief a
character has designed to protect them from X happening. X happened in the past, or something like X happened in the past,
and the internal conflict is protection from X repeating.
Example: Patty was left at the altar. That jerkfaced-MIA-bridegroom
broke her heart and now she's afraid of serious relationships--they all lead
to marriage and you just can’t ever count on someone to be there blahblahblah.
Seems kind of shallow, right? People do get left at the
altar without developing a complex. Children survive one parent walking out on
them, and become completely stable adults without daddy issues.
So here is my epiphany: One incident in an
otherwise normal existence doesn’t make someone develop really strong
coping/protecting mechanisms.
Not unless it’s a horrible
incident, like a plane crash making someone never want to fly again. Or a woman deciding
to never have more children because her last baby spontaneous combusted during
a diaper change… Big Horrible Incidents aside, one Average-Baggage incident
does not believable, sustainable Internal Conflict make.
But if that one incident confirms a belief suggested by an
earlier incident? What if Patty has always had self-esteem issues, never could
believe that her fiancée wanted to marry her, and THEN was left at the altar?
Yeah, I can see that confirming what she already felt: that she wasn’t good
enough to be loved by the kind of man she wanted, or something along those
lines. Make her set her sights low, make her date the wrong kind of man.
Every craft book I’ve read about developing conflict always
demanded I ask Why… but I guess up until now, when in the initial writing stages(first draft) I’ve never asked
the one final Why that makes the difference. The Why that gets me to that
deepest level(until revisions… when my editor asked me why…)
So, this is what I going to do from now on: When I
get to this Incident that gave my character a complex(if it’s not horrible like
BabySpontaneousCombustion)I'm going to ask this:
Why did this incident affect him/her enough to make him to live
a guarded life? What earlier belief did this incident
confirm?
Until now, I think my initial Internal Conflict Incident
has not been the root. It’s been the base of the tree, but there was always
something in the roots that I didn’t pick up on until someone MADE ME think about it.
Anyway, that's my epiphany for the day. I'm sure it's not an epiphany to everyone, but if it is, feel free to steal my Why!
(And I'm still excited about the story after typing this long post. Circus Medicus YAY!)
