So this topic has been spoken about at length on some of the
boards I frequent, but came up again tonight in email with another Baby-Writer
friend. Thought I’d just fling it up on the blog, since I tend to neglect my
blog when I’m actively writing a book and it’s all about MASSIVE NUMBERS OF
POSTS between books for me!
So… The second book I wrote after selling to Harlequin was epic
hard for me(Uncovering Her Secrets). This was before my first book came out, so
I didn’t think it actually qualified for Sophomore Book Syndrome—I didn’t have
a public image to live up to yet because the public might have hated book1! But
it was incredibly hard for me to write.
At the time, I decided the reason that book was so hard was
because I was writing a hospital-setting and that was so normal... and I’m not.
Then I thought it was because I wrote a sarcastic frequently ass-tastic
hero(think Damon on Vampire Diaries) and that it was hard to make him likeable.
And finally, I thought it was just because I suck as a writer.
Book3(Circus book – Return of Dr Irresistible) I thought was
gonna be a breeze. I was so excited about the story, the setting… the Every
Thing. My fabulous editor was letting me run AMOK. It was all gonna be AWESOME.
But? It was so freaking hard to write. I decided the reason was that since they
were letting me outside the box, do anything I want... that meant IT HAD TO BE
PERFECT. Actually, it had to be better than perfect. Because why make the
readers take a risk with a circus story when it's no better than a normal
everyday setting? If they’re already taking a gamble with the book, that gamble
has to pay off.
Right now? I am working on book4 and I'm at that SUPER
EXCITED phase of limitless possibilities and I’m sure it’s going to be easier
to write than the others (haha) I haven’t had to put my money where my mouth
is—it’s already perfect because it’s all still in my head. I get this way at
the start of every book—aside from book2, that book was freaking hard the whole
way and I hated it until the last revisions when I suddenly loved it. Every
book has been hard to write except book1(Craving Her Rough Diamond Doc) which was insanely hard during that phase where it was rewritten. Twice.
The difference between the first draft of every other book and the first book? I didn't really know what I was doing when writing book1. I was just
painting with my toes to see what would happen! No pressure because no one
would want to read it anyway, right? I got to do what I wanted, when I
wanted... But now? Now I put pressure on myself to live up to the first book.
And then I think things like: Maybe I could only write it vividly because it
was set in Appalachia and I know the people and the area so well? Maybe it was
because the heroine was a version of me, and I knew her so well. Maybe it was
because I based the hero on Joe Manganiello and I was just SUPER MOTIVATED...
and really good at picturing Joe Manganiello without his shirt on... Mmmm Joe
without a shirt...
I had a point... before Joe distracted me.
OH YEAH. That feeling that comes after you’ve gotten to work
on a book and you know it’s all crap, and no one will ever want to publish it,
and they will hate you and kill your kitten because HOW ELSE WILL YOU LEARN NOT
TO WRITE SUCH CRAP?! That? Everyone feels it. And we all try to rationalize it
away because if we can explain why it's happening, then that means we can try
and control it. GI Joe told me: Knowing is half the battle! And I believed that
crap.
But really? GI Joe left off one important detail:
You still
have to fight the freaking battle.
(Go Joe!)
All those reasons I gave myself about why each book was so
hard to write were true in part, but mostly they were just my way of giving
myself something that I could identify to fight when I was struggling to get
through it. And every one since the first draft of book1 have been a
struggle... (Book1 was a struggle in the double-rewrite portion of its
existence.)
Writing fiction is hard. I might be me deluding myself
again, but I think that the first X-number of books are going to keep being really
hard. Because every time I write a new book, at least at this phase, I’m
learning great gobs of lessons--the kind of lessons that are hard to put into a
single HowToWriteAFrigganAwesomeNovel craft book... I’m still behind the curve, but
at some point... I’m going to get ahead of it. And it's going to get LESS hard.
Not easy, it is never going to be easy... but it's going to make me stop wanting to chew through
my own leg to get out of the animal trap(aka: My Contract which I frequently
doubt I can ever fulfill).
No matter where you are in your writing career, if it's really hard, keep running to catch up with the curve. You will catch up
with it. You will get ahead of it. It's only the first five books that are this hard(I'm fixin to start writing book4, which I'm pretty sure is going to be hard, but book5 will be the sweet spot, PLEASE GOD...)
To sum up: If at the end of writing a book you look like
this http://marlenebaer.files.wordpress.com/2007/10/drowned-rat.jpg ? You’re
probably doing it right. (I just linked because I don’t own the copyright and
I’m all sorts of touchy about that, but I couldn’t find a commons picture that
conveyed the same feeling!)
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